ALVA offer a collection of durable audio products built to the highest standards. Forming a perfect complement to the products from our partners from RME, there's an extensive selection of professional cables and a range of other items designed to make studio or on-stage life easier.
Appsys ProAudio is a Swiss design and manufacture company dedicated to creating digital solutions for broadcast, post-production, live and recording studios.
Calrec Audio supplies audio broadcast mixing consoles which are relied on by the world's most successful broadcasters.
Originally formed as a microphone manufacturer in 1964, Calrec celebrated 50 years as audio specialists in 2014.
The company's reputation for build quality, reliability and audio performance has made it an industry benchmark across the world.
DirectOut GmbH specialises in developing essential pro audio connectivity, networking and bridging solutions for broadcast, studio, live and installed sound applications.
The product range offers solutions that build bridges between different audio worlds, with support for MADI, SoundGrid, Dante, RAVENNA and the standards AES67 and SMPTE ST2110-30/31.
Founded in 1977 in Skanderborg, Denmark, Dynaudio has over 40 years of experience in producing cutting-edge loudspeakers.
From the classic BM Series and contemporary LYD Series, to the
high-end Core and M Series ranges of studio monitors, Dynaudio's focus
on transparency and accuracy has made them a household name of the
recording studio and broadcast audio industries.
In the UK, Dynaudio can be found in major studios such as Abbey Road
and Air Studios, as well as the next generation of film and game studios
mixing for surround sound and Dolby Atmos.
As well as the highly respected B4000+ organ module, Ferrofish offers a range of quality ADAT <> MADI <> Analogue converters that can be used for studio, live, post-production and broadcast applications and at a price that will suit any budget.
Lauten Audio design and manufacture high quality studio microphones with a unique and distinctive character.
Based in Northern California, the company regularly collaborates with industry professionals when creating fresh and original sounding microphones.
myMix is a decentralised, network based, audio mixing system for up to 500 audio channels. Its intuitive user interface with a large LCD display showing device and channel names makes it ideal for personal monitor mixing and other AV applications.
RME is a German company founded in 1996 by a small group of professional audio engineers and designers.
From day one, the team have stuck to a strict philosophy of truly innovative design and unparalleled reliability in the field of digital audio.
Handmade pro audio equipment from Madrid, Spain. Combining eco-friendly materials with premium analogue sound, the Tierra Audio range includes Microphones, Preamps, EQs, Compressors and more, and in a variety of different flavours - from clean and precise, to warm, colourful and full of character.
Every component is built to the highest of standards, guaranteeing high-end sonic performance and maximum durability for studio recording, mixing and mastering applications.
A selection of Ex-Demo, B-Stock and Open-Box products from our brands including RME, Ferrofish, Icon and Lauten Audio.
Available at reduced prices from new so grab yourself a bargain!
Synthax Audio UK is a
professional audio distributor supplying the recording studio, live
audio, broadcast, installation, education and scientific application
markets.
Representing a number of established pro audio manufacturers, we keep immediate stock of all key items
from our brands including RME Audio, Calrec Brio and Type R, Ferrofish,
Dynaudio studio monitors, DirectOut, Appsys ProAudio Multiverter and SRC, TIERRA Audio, and
Lauten Audio Microphones.
The RME MADIface XT is the world's first USB3 audio interface - and the world's smallest portable interface that provides access to hundreds of audio channels in such a small package. For highest usability and connectivity the XT can also be used with USB 2.0 (computer I/O limited to 70 channels). Its unique PCI Express port connects to External PCI Express cards as well as adapters to Thunderbolt, providing all the fastest interfacing technologies available for maximum channel count and lowest latency in one unit.
To bring together the most complete I/O set for live or studio usage, two digitally controlled high end mic/line preamps, two balanced line outputs and one stereo phones output are included. Full stand-alone operation with remote control over MADI plus TotalMix FX for unlimited mixing, routing and processing open an endless world of possible applications.
Features
The RME MADIface XT is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Analogue sources can be connected to a stereo analogue input, and 2 stereo analogue outputs add full monitoring connectivity. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology. The numerous unique features and well thought-out configuration dialogs put the MADIface XT at the very top of the range of digital audio interfaces.
Front Panel
The front of the MADIface XT has 2 XLR/TRS line and microphone inputs, a stereo line/headphone output, two rotary encoders with push functionality, four menu keys, a graphical colour display, and six status LEDs.
Mic/Line Inputs The Neutrik combo sockets of the two Mic/Line inputs provide XLR and 6.3 mm / 1/4" TRS connection. They have LEDs for Signal (SIG), Overload (Clip) and phantom power (48V).
Headphone Output Channels 3/4 feed the headphone output, which also operates as high-quality unbalanced line output.
Display The display main screen (Global Level Meters) shows the current state of interface mode (PCIe orange, USB 2 yellow, USB 3 blue), the sync state of MADI and AES inputs, and incoming and outgoing MIDI data.
The four keys, the two encoders 1 and 2, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure the device's settings completely without a computer. Help notes and clear markers in the display guide the user through all functions. The rotary encoder 1 and 2 set the monitoring volume of the rear and front output directly at the device.
RME MADIface XT Front Panel - Click To Enlarge
Rear Panel
The rear panel of the MADIface XT has two balanced analogue outputs, word clock I/O, MADI coaxial I/O, two MADI optical I/O, USB 3 port (compatible to USB 2), PCI Express connector, MIDI/AES I/O D-sub for breakout cable, the power socket and a power switch.
Balanced Line Level Outputs 2 balanced analogue outputs via XLR.
Word Clock I/O BNC. In menu Options – Clock the input can be set to be terminated with 75 Ohms.
MADI I/O coaxial Standard coaxial MADI ports.
MADI I/O optical 2 x standard optical MADI ports.
Remote Mini-DIN. Connector for the optional remote controls with Volume, Store, Dim and Recall functions.
RME MADIface XT Rear Panel - Click To Enlarge
MIDI I/O and AES/EBU I/O
D-sub connector for the included breakout cable with XLR for AES I/O and 5-pin DIN for MIDI I/O.
USB 3.0. USB socket for connection to the computer. USB bus power is not supported. Compatible to USB 2.0.
PCI Express
External PCI Express connector for Molex E-PCIe standard cables.
POWER (switch):
Turns the MADIface XT on and off.
Socket for power connection
The locking type jack fits the locking
type DC connector on the included power supply. After inserting the
connector, carefully turn it so that it locks.
The included high-performance switch mode power supply operates in the
range of 100V to 240V AC. It is short-circuit-proof, has an integrated
line-filter, is fully regulated against voltage fluctuations, and
suppresses mains interference.
TotalMix FX
The MADIface XT includes a powerful digital real-time mixer, the Hammerfall DSP mixer, based on RME's unique, sample-rate independent TotalMix technology. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.
Here are just a couple of typical applications for TotalMix FX:
Setting up delay-free submixes (headphone mixes). The MADIface XT allows for up to 99 fully independent stereo submixes. On an analogue mixing desk, this would equal 198 Aux sends.
Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
Simultaneous playback of different programs using only one stereo output. The ASIO multiclient driver handles several programs at the same time, even identical playback channels. TotalMix provides the means to mix and monitor these on a single stereo output, even when originating on different playback channels.
Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware (hardware output is Peak only). These level displays are very useful to determine the presence and routing destinations of the audio signals.
For a better understanding of the TotalMix mixer you should know the following:
As shown in the block diagram (in manual), the record signal usually stays un-altered. TotalMix does not reside within the record path, and does not change the record level or the audio data to be recorded (exception: loopback mode).
The hardware input signal can be passed on as often as desired, even with different levels. This is a big difference to conventional mixing desks, where the channel fader always controls the level for all routing destinations simultaneously.
The level meter of inputs and playback channels are connected pre-fader, to be able to visually monitor where a signal is currently present. The level meters of the hardware's outputs are connected post-fader, thus displaying the actual output level.
