{"id":237,"date":"2012-10-09T14:47:48","date_gmt":"2012-10-09T13:47:48","guid":{"rendered":"http:\/\/synthax.testing.pm\/latest\/?p=237"},"modified":"2015-11-25T12:50:17","modified_gmt":"2015-11-25T12:50:17","slug":"more-rme-for-the-who","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2012\/10\/09\/more-rme-for-the-who\/","title":{"rendered":"More RME for The Who"},"content":{"rendered":"<div id=\"attachment_1239\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/Simon-Higgs-The-Who.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img aria-describedby=\"caption-attachment-1239\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1239\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/Simon-Higgs-The-Who-300x220.jpg\" alt=\"Simon Higgs, best known for his work on monitors for The Who\" width=\"300\" height=\"220\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/Simon-Higgs-The-Who-300x220.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/Simon-Higgs-The-Who.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1239\" class=\"wp-caption-text\">Simon Higgs, best known for his work on monitors for The Who<\/p><\/div>\n<p>We recently caught up with Simon Higgs at MusicBank rehearsal studios where he was setting up for the V Festival with Olly Murs. Simon is best known for his work on monitors for <a title=\"The Who's Homepage\" href=\"http:\/\/thewho.com\/\" target=\"_blank\">The Who<\/a> over the last 14 years.<\/p>\n<p>Simon invited us down as he had been faced with the (not so unusual) problem of reducing the physical size of The Who&#8217;s playback system, while also looking at the advantages of upgrading the sonic performance and features available to him. Simon explains \u201cFor The Who and Roger Daltrey&#8217;s solo work we are still using Fostex 8-Track HD machines for backing tracks. Sequencer parts for \u201cBaba O&#8217;Riley\u201d and \u201cWho Are You\u201d, for example.\u201d He also mentioned that \u201cRoger is doing a show in the Bahamas in a couple of weeks, and I suggested buying an audio interface with <a title=\"QLab by Figure 53\" href=\"http:\/\/figure53.com\/qlab\/\" target=\"_blank\">QLab<\/a> instead of freighting this heavy rack.\u201d<\/p>\n<p>Simon had made some calculations, and found that the cost of transporting the large racks around the world was simply huge, so he decided on buying an <a title=\"RME Fireface UCX Product Details\" href=\"\/rme\/firewire-usb\/rme-fireface-ucx\/\">RME Fireface UCX<\/a> instead of forking out the transport fee for the old racks. As well as the big bucks saved, Simon has also gained serious flexibility with his new feature set found on the RME Fireface UCX and (the included) <a title=\"RME TotalMix FX Overview\" href=\"\/rme-totalmix-fx\">TotalMix FX<\/a> software.<\/p>\n<div id=\"attachment_1241\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/RME-Fireface-UCX-7.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img aria-describedby=\"caption-attachment-1241\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1241 size-medium\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/RME-Fireface-UCX-7-300x158.jpg\" alt=\"The RME Fireface UCX audio interface with the Basic Remote Control (BRC)\" width=\"300\" height=\"158\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/RME-Fireface-UCX-7-300x158.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2012\/10\/RME-Fireface-UCX-7.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1241\" class=\"wp-caption-text\">The RME Fireface UCX audio interface with the Basic Remote Control (BRC)<\/p><\/div>\n<p>Simon went on to explain \u201cRoger is an honorary patron of the <a title=\"The Teenage Cancer Trust\" href=\"http:\/\/www.teenagecancertrust.org\/\" target=\"_blank\">Teenage Cancer Trust<\/a>, and regularly performs at benefit gigs. Co-incidentally he&#8217;s just asked how he could use the sequencer tracks at an upcoming benefit with <a title=\"Queen Online\" href=\"http:\/\/www.queenonline.com\/\" target=\"_blank\">Queen<\/a>.\u201d<\/p>\n<p>This of course is where the RME Fireface UCX comes into its own, as they now intend to use an iPad with <a title=\"iPad Multi-track recording App Auria\" href=\"http:\/\/auriaapp.com\/Products\/auria\" target=\"_blank\">Auria<\/a> to output the click and cue tracks to the headphone output on the Fireface UCX for Roger Taylor.<\/p>\n<p>This is of course not the first RME product to be found with The Who, as <a title=\"Interview with Paul Ramsay, The WHo FOH Engineer\" href=\"\/latest\/2011\/07\/06\/paul-ramsay-on-the-rme-madiface\/\">Paul Ramsay (FOH) <\/a>uses 2 <a title=\"RME HDSP MADI Card\" href=\"\/rme\/pci-express\/rme-hdspe-madi\/\">MADI HDSP PCI <\/a>cards, a MADI Bridge and an <a title=\"RME MADIFace\" href=\"\/rme\/pci-express\/rme-hdspe-madiface\/\">RME MADIface<\/a> to record the shows.<\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"RME Fireface UCX Product Details\" href=\"\/rme\/firewire-usb\/rme-fireface-ucx\/\">Click here to find out more about the RME Fireface UCX<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We recently caught up with Simon Higgs at MusicBank rehearsal studios where he was setting up for the V Festival with Olly Murs. Simon is best known for his work on monitors for The Who over the last 14 years. Simon invited us down as he had been faced with the (not so unusual) problem&hellip;<\/p>\n","protected":false},"author":3,"featured_media":1239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[494],"tags":[96,95,5,30,26,94,15],"_links":{"self":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/237"}],"collection":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/comments?post=237"}],"version-history":[{"count":4,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/237\/revisions"}],"predecessor-version":[{"id":1753,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/237\/revisions\/1753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media\/1239"}],"wp:attachment":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media?parent=237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/categories?post=237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/tags?post=237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}