{"id":24074,"date":"2020-08-14T18:41:55","date_gmt":"2020-08-14T17:41:55","guid":{"rendered":"https:\/\/www.synthax.co.uk\/latest\/?p=24074"},"modified":"2022-01-11T10:53:29","modified_gmt":"2022-01-11T10:53:29","slug":"calrec-type-r-remote-operation-in-depth","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2020\/08\/14\/calrec-type-r-remote-operation-in-depth\/","title":{"rendered":"Calrec Type R – An In-Depth Look At Remote Operation"},"content":{"rendered":"\n\n\n

We look at what’s needed for an A1 audio engineer to dial into the main Calrec Type R Core via IP, using control hardware located from an alternative, socially-distanced location.<\/h3>\n

For our previous video<\/a>, we provided an introduction to using Calrec\u2019s modular, IP-based broadcast console<\/a> for remote broadcast production.<\/p>\n

Many live TV and sporting events have now returned (albeit in an altered format), but the possibility of additional ‘waves’ of Covid-19 cases continues to loom in the background. As such, demand remains high for new, flexible remote production methods that enable content to be produced in a way that ensures all staff and crew are protected, and able to respect social distancing guidelines.<\/p>\n

In this second video on remote production with Calrec Type R, Simon Roome (Broadcast Sales Manager) discusses the practicalities of mixing and monitoring remotely over IP, expanding on the scenario of having a Type R Core (plus I\/O) located at a production facility, with the operator (and Sound Guarantee) mixing remotely from alternative locations.<\/p>\n

(This video is the second in a series – click here<\/a> for part one.)<\/p>\n

 <\/p>\n

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An In-Depth Look At Remote Operation with Calrec Type R<\/h4><\/a>\n
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