{"id":35183,"date":"2021-12-03T14:43:18","date_gmt":"2021-12-03T14:43:18","guid":{"rendered":"https:\/\/www.synthax.co.uk\/latest\/?p=35183"},"modified":"2022-01-05T11:23:25","modified_gmt":"2022-01-05T11:23:25","slug":"rme-madiface-xt-pa-salieu","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2021\/12\/03\/rme-madiface-xt-pa-salieu\/","title":{"rendered":"RME MADIface XT: On Tour with Pa Salieu, Aitch and Little Simz"},"content":{"rendered":"\n<html>\n\n<body>\n<h2><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright  wp-image-35193\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK-300x168.jpg\" alt=\"Femi Bello - MADIface XT at Laptop - Synthax Audio UK\" width=\"355\" height=\"199\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK-300x168.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK-768x429.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK-1024x572.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-at-Laptop-Synthax-Audio-UK.jpg 1200w\" sizes=\"(max-width: 355px) 100vw, 355px\" \/><\/a>We chat to Production Manager, FOH and Monitor Engineer Femi Bello about working with some of the biggest artists in the UK Rap and Grime scene, as well as how the <a title=\"RME MADIface XT Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-xt\/\">RME MADIface XT<\/a> fits into his live rig.<\/h2>\n<p>Having already worked with some of the biggest names in the UK Rap and Grime scene, Femi Bello (@femithesoundman over on <a target=\"_blank\" title=\"Femi Bello on Instagram\" href=\"https:\/\/www.instagram.com\/femithesoundman\/\">Instagram<\/a>) has been behind the desk as an FOH and monitor engineer for the likes of Little Simz, Central Cee and Headie One. At this year\u2019s Reading and Leeds festivals, Femi was the engineer behind UK artist Aitch\u2019s Main Stage debut.<\/p>\n<p>We met up with Femi at <a title=\"John Henry's Website\" target=\"_blank\" href=\"https:\/\/www.johnhenrys.com\/\">John Henry\u2019s<\/a> in North London on the last day of production rehearsals for rapper <a title=\"Pa Salieu Website\" target=\"_blank\" href=\"https:\/\/www.pasalieu.com\/\">Pa Salieu<\/a>\u2019s headline UK tour. We sat down to chat about getting started in the live sound industry, working with some of the biggest rap artists in the UK and how the <a title=\"RME MADIface XT Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-xt\/\">RME MADIface XT<\/a> has become an invaluable addition to his setup.<\/p>\n    <p>&nbsp;<\/p>\n <center>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wCxDbRknHJs\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"768\" height=\"432\" frameborder=\"0\"><\/iframe>\n<p style=\"text-align: center;\">See more videos at <a title=\"Subscribe to the SynthaxTV YouTube channel\" href=\"http:\/\/www.youtube.com\/subscription_center?add_user=synthaxtv\" target=\"_blank\" rel=\"noopener\">Synthax TV<\/a><\/p>\n        <\/center>\n    <p>&nbsp;<\/p>\n<h4><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Pa-Salieu-Tour-Poster-Synthax-Audio-UK.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"wp-image-35190 alignleft\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Pa-Salieu-Tour-Poster-Synthax-Audio-UK.jpg\" alt=\"Pa Salieu - Tour Poster - Synthax Audio UK\" width=\"280\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Pa-Salieu-Tour-Poster-Synthax-Audio-UK.jpg 700w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Pa-Salieu-Tour-Poster-Synthax-Audio-UK-212x300.jpg 212w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a>Working with Pa Salieu<\/h4>\n<p>\u201cI got a phone call from a friend, who got a phone call from a manager saying he\u2019s got an artist that needed looking after. The rest was history.\u201d<\/p>\n<p>The artist was Gambian-British 23-year-old rapper <a title=\"Pa Salieu Website\" target=\"_blank\" href=\"https:\/\/www.pasalieu.com\/\">Pa Salieu<\/a>. Listed amongst GQ Magazine\u2019s \u201cnew musicians who will make 2021 better\u201d, Pa\u2019s \u201cgenre-less\u201d blend of sounds merges Afrobeats and UK rap and has gained the attention of BBC 1Xtra, DJ Annie Mac and MTV. Released in 2020, his breakout track \u201cFrontline\u201d was featured on The Tonight Show with Jimmy Fallon in January 2021, further catapulting Pa into the limelight.<\/p>\n<p>With the COVID-19 pandemic creating uncertainty for touring musicians and performers through 2020 and the early stages of 2021, Femi has been involved with Pa Salieu\u2019s \u201cAfrikan Rebel Tour\u201d for longer than many of the other jobs he\u2019s taken on.<\/p>\n<p>\u201cIt\u2019s been a year and about four months we\u2019ve been working together. It was postponed, it was supposed to happen earlier in 2021 but because of the pandemic it\u2019s only just happening now.\u201d<\/p>\n<p>The week-long tour took in dates across the UK, including one night at the O2 Shepherd\u2019s Bush Empire. Having worked as a front of house engineer, monitoring engineer and production manager for various artists, Femi is well versed in taking on multiple roles.<\/p>\n<p>\u201cOn this tour I\u2019m looking after front of house and monitoring as well as the recording so I\u2019m basically doing a three-in-one job\u201d he jokes.<\/p>\n<p>\u201cWe\u2019re in production rehearsals so I won\u2019t actually be dead on the nights. I\u2019ve already sorted out the band\u2019s monitoring so there isn\u2019t anything crazy that will need changing in the mixes. Just a few decibels of this and that.\u201d<\/p>\n    <p>&nbsp;<\/p>\n<h4><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright  wp-image-35200\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK-1024x572.jpg\" alt=\"Femi Bello - MADIface XT - Synthax Audio UK\" width=\"498\" height=\"278\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK-1024x572.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK-300x168.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK-768x429.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-MADIface-XT-Synthax-Audio-UK.jpg 1200w\" sizes=\"(max-width: 498px) 100vw, 498px\" \/><\/a>Getting Started in Music<\/h4>\n<p>Femi\u2019s experiences with music and live sound started through his church. Starting off as a drummer, Femi recalls how performing at church led to his interest in live sound.<\/p>\n<p>\u201cI started playing drums. In church you sort of just learn everything; everyone\u2019s doing everything\u201d, Femi starts. \u201cYou learn to play drums, keyboard, the bass. You learn about sound and that\u2019s exactly where I started mixing.\u201d<\/p>\n<p>After finding his passion whilst worshipping at church, Femi decided to enrol in a degree course at the University of Westminster, London.<\/p>\n<p>\u201cI did a BMus course in Commercial Music and went on to do a Masters in Audio Production. I started by mixing people\u2019s tracks at university \u2013 things like drum covers and piano covers. Since then \u2013 even before then \u2013 it\u2019s just been hectic.\u201d<\/p>\n<p>During his time on the Masters at Westminster, Femi was also out on the road working with various artists, putting the things he had learned in the classroom into practice at gigs around the world, including working with the <a title=\"House Gospel Choir Website\" target=\"_blank\" href=\"https:\/\/www.housegospelchoir.com\">House Gospel Choir<\/a> at the Singapore Formula 1 Grand Prix.<\/p>\n<h3 style=\"text-align: center;\">\u201cIt\u2019s crazy, the industry is opening up again and I\u2019m just trying to be here, there and everywhere.\u201d<\/h3>\n<p>\u201cI remember being on my Masters and I would disappear for a couple of weeks because I was on tour. I would come back into submit the work and everyone would be surprised I\u2019m still here,\u201d Femi jokes, \u201cit\u2019s like \u2018no, I\u2019ve just been on the road\u2019.\u201d<\/p>\n<p>\u201cBeing on the masters was great though, you learnt so much from everyone. There was stuff I was taking out to the field and sharing with everyone, and then I was bringing stuff back from the field and sharing that too.\u201d<\/p>\n<p>Femi\u2019s live sound career would begin when he approached friend and sound engineer Nikoma Bell . Nikoma, who\u2019s resume includes Duffy and Tinie Tempah, offered Femi an opportunity to work as a technician during the \u201cUniversity Gospel Choir of the Year\u201d that he was working on.<\/p>\n<p>\u201cI could ask him any questions. He took my little bit of experience and gave me the opportunity to learn more and develop myself more.\u201d<\/p>\n<p>Since then, Femi\u2019s CV has continued to grow, with stints working with some of the biggest names in the UK. Alongside his work with Pa Salieu, Aitch and Little Simz, Femi has also been on sound or monitoring duties for the likes of Headie One, Krept &amp; Konan and UK Hip Hop collective D-Block Europe, who Femi will also work with after the Pa Salieu tour.<\/p>\n<p>\u201cWe\u2019re doing all the big arenas. Manchester Arena, O2 Arena, Cardiff, Nottingham, Birmingham. All of them.\u201d<\/p>\n<p>The COVID-19 pandemic cancelled or postponed many tours across the UK and the world. Leaving the Pa Salieu tour to join the D-Block Europe arena show run, Femi has been trying to pack in as much work as he can.<\/p>\n<p>\u201cIt\u2019s crazy, the industry is opening up again and I\u2019m just trying to be here, there and everywhere.\u201d<\/p>\n    <p>&nbsp;<\/p>\n<h4>On RME Audio<\/h4>\n<p>Used across a wide range of industries, RME\u2019s reputation for creating reliable, powerful devices has meant that they are constantly called upon by professionals. Designing everything from interfaces to AD\/DA converters and cutting-edge audio networking systems, RME\u2019s flexible devices can be found in the live sound rigs of some of the biggest acts across the globe.<\/p>\n<p>Femi\u2019s introduction to RME Audio came from long-time friend and sound engineer Raphael Williams, who has worked with Wretch 32 and also mixed Stormzy\u2019s critically-aclaimed Glastonbury 2019 headline set.<\/p>\n<p>\u201cI remember needing to record from a Digico SD10 and it had MADI on the back of it. Rapha has the <a title=\"RME MADIface XT Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-xt\/\">MADIface XT<\/a>, the <a title=\"RME Babyface Pro FS Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-babyface-pro-fs\/\">Babyface<\/a>, and also the <a title=\"RME MADIface USB Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-usb\/\">MADIface USB<\/a> that just does 64 channels. I borrowed that and instantly thought \u2018wow, this is crazy. I need one.\u2019\u201d<\/p>\n<p><a href=\"https:\/\/www.synthax.co.uk\/rme\/\">Learn more about RME Audio<\/a><\/p>\n    <p>&nbsp;<\/p>\n<h4><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2015\/07\/RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft  wp-image-781\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2015\/07\/RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK-300x176.jpg\" alt=\"RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK\" width=\"390\" height=\"229\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2015\/07\/RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK-300x176.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2015\/07\/RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK-1024x600.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2015\/07\/RME-MADIface-XT-Front-Back-Angle-Synthax-Audio-UK.jpg 1200w\" sizes=\"(max-width: 390px) 100vw, 390px\" \/><\/a>RME MADIface XT<\/h4>\n<p>After Femi discovered RME through Rapha Williams, he added the <a title=\"RME MADIface XT Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-xt\/\">RME MADIface XT<\/a> to his rig just in time for Aitch\u2019s main stage Reading and Leeds Festival performance, putting it to the test on a show seen by thousands of people live and by many more through the BBC\u2019s coverage of the festival.<\/p>\n<p>\u201cI\u2019m using Logic and sometimes Pro Tools alongside RME\u2019s MADIface XT. It basically interfaces my Digico mixing console with my laptop and allows me to record. The channel count on this tour is around 47 plus some other things so I\u2019m currently actually recording about 64 channels. It\u2019s a lot of channels to be doing monitors and front of house on!\u201d<\/p>\n<p>The perfect interface for any MADI-based recording system, the RME MADIface XT can handle up to 196 inputs and 198 outputs whilst still being an incredibly portable device. Thanks to its triple-MADI I\/O, the MADIface XT continues RME\u2019s tradition of creating I\/O packed interfaces that take up very little space.<\/p>\n<h3 style=\"text-align: center;\">&#8220;I borrowed that and instantly thought \u2018wow, this is crazy. I need one.\u2019\u201d<\/h3>\n<p>\u201cHonestly, the XT is great. I realised I needed it and it just make sense for my rig. It\u2019s got three streams of MADI so I can convert optical MADI to BNC if I need to. That\u2019s been useful from time to time with some other gear I use. I can also multi-track on top of that. In my case, I was mainly using the BNC and the channels start from 129. But there\u2019s a function on the software that allows you to mirror MADI 1 and 2 to MADI 3 so that your channels start at 1 if you\u2019re using BNC.\u201d<\/p>\n<p>With a staggering 394 channels available thanks to its three MADI connections, the MADIFace XT is the perfect device for high-channel count applications, especially for those demanded in the live sound industry.<\/p>\n<p>Alongside the three available MADI streams, the MADIface XT features two XLR\/TRS combo inputs on the front panel for quick recording of microphones or instruments. The rear panel XLR outputs offer a way of being able connect studio monitors, whilst the headphone output on the front panel is also available for quick monitoring of any input or output signal.<\/p>\n<p>The RME MADIface XT was also used on engineer <a title=\"RME MADIface XT On Tour with Kane Brown - Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/latest\/2021\/09\/30\/rme-madiface-xt-on-tour-with-kane-brown\/\">David Loy\u2019s recent festival run with US Country singer Kane Brown<\/a><\/p>\n<p>Learn more about the <a title=\"RME MADIface XT Product Page on Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/rme\/firewire-usb\/rme-madiface-xt\/\">RME MADIface XT<\/a><\/p>\n    <p>&nbsp;<\/p>\n<h4><a href=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright  wp-image-35208\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK-300x168.jpg\" alt=\"Femi Bello - TotalMix FX - Synthax Audio UK\" width=\"404\" height=\"226\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK-300x168.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK-768x429.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK-1024x572.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2021\/11\/Femi-Bello-TotalMix-FX-Synthax-Audio-UK.jpg 1200w\" sizes=\"(max-width: 404px) 100vw, 404px\" \/><\/a>TotalMix FX<\/h4>\n<p>\u201cFunnily enough I was in a studio that had an RME interface. It was the first time I\u2019d used TotalMix and it was really straightforward.\u201d<\/p>\n<p>Offering control of all input and output channels of the MADIface XT, RME\u2019s TotalMix is an incredibly powerful digital mixer. Offered as part of the driver with every RME interface, TotalMix FX brings nearly unlimited routing and mixing possibilities and the ability to create as many independent submixes as output channels available.<\/p>\n<p>The MADIface XT comes packaged with TotalMix FX, offering a selection of effects that can be added to input and output channels. EQ and dynamic controls are available and can be added to the recording chain, as well as reverb and delay.<\/p>\n<p>With rapid access and level information for every single channel, TotalMix makes it incredibly easy to hear any channel on an RME interface. Other It is also possible to hide tracks that aren\u2019t in use, as well as renaming individual channels for easy recognition, making high-channel count operation, like with the MADIface XT, a breeze.<\/p>\n<p>New to TotalMix FX? Check out RME&#8217;s <a title=\"RME's TotalMix FX for Beginners Tutorials'\" target=\"_blank\" href=\"https:\/\/rme-audio.de\/knowledge-base.html\">TotalMix FX for Beginners tutorial series<\/a><\/p>\n    <p>&nbsp;<\/p>\n<h4>Advice for Aspiring Engineers<\/h4>\n<p>Having found his passion for sound through his church and later gaining industry experience with his good friend Nikoma Bell, Femi\u2019s closing words in our interview were aimed at those aspiring to be a part of the music industry.<\/p>\n<p>\u201cIt\u2019s very easy now to download a bit of software on the internet\u201d, Femi starts. \u201cWhether that\u2019s Logic, Fruity Loops or Ableton, just experiment. There\u2019s no real formula to this, it\u2019s just all about experimenting. It might be sound engineering, it might be production or sound design, it\u2019s just about doing what makes sense to you.\u201d<\/p>\n    <p>Our thanks to Femi for chatting to us. You can keep up with Femi&#8217;s work through his <a title=\"Femi Bello on Instagram\"  target=\"_blank\" href=\"https:\/\/www.instagram.com\/femithesoundman\/\">Instagram<\/a><\/p>\n<article><hr>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-6579\" title=\"\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2017\/01\/RME-Logo.png\" alt=\"RME-Logo - Synthax Audio UK\" width=\"150\" height=\"29\">If you\u2019d like to know more about any of RME\u2019s audio interfaces, soundcards, AD\/DA Converters or microphone preamps, give us a call on <a>01727 821 870<\/a> to speak to one of our team or to arrange a demo.<br>You can also <a title=\"Get in contact with Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/contact-us\/\">contact us here<\/a>.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<style>\np { font-size: 110%; } \n<\/style>\n<\/html>\n","protected":false},"excerpt":{"rendered":"<p>We chat to Production Manager, FOH and Monitor Engineer Femi Bello about working with some of the biggest artists in the UK Rap and Grime scene, as well as how the RME MADIface XT fits into his live rig. Having already worked with some of the biggest names in the UK Rap and Grime scene,&hellip;<\/p>\n","protected":false},"author":4,"featured_media":35271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[4,493,494],"tags":[1931,66,1929,550,1899,769,1932,95,13,554,1930,598,5,30],"_links":{"self":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/35183"}],"collection":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/comments?post=35183"}],"version-history":[{"count":45,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/35183\/revisions"}],"predecessor-version":[{"id":39259,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/35183\/revisions\/39259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media\/35271"}],"wp:attachment":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media?parent=35183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/categories?post=35183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/tags?post=35183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}