{"id":36681,"date":"2022-01-20T10:54:57","date_gmt":"2022-01-20T10:54:57","guid":{"rendered":"https:\/\/www.synthax.co.uk\/latest\/?p=36681"},"modified":"2022-01-28T15:39:40","modified_gmt":"2022-01-28T15:39:40","slug":"rme-12mic-wins-sound-on-sound-award-2022","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2022\/01\/20\/rme-12mic-wins-sound-on-sound-award-2022\/","title":{"rendered":"RME 12Mic wins Highly Commended Award 2022 in Sound On Sound"},"content":{"rendered":"
\"RME-12Mic-SOS-2022-Award-Synthax-Audio-UK\"<\/a><\/div>\n

RME Audio’s 12-channel, network-capable microphone preamp picks up a ‘Highly Commended Award’ in Sound On Sound.<\/h3>\n

We\u2019re delighted to announce that the RME 12Mic<\/a> has been awarded a Highly Commended Award for 2022 by Sound On Sound Magazine, as voted for by you the readers!<\/p>\n

Each year Sound On Sound recognises the best in professional audio \u201cinnovation and contemporary design\u201d, with nominees for the \u2018Gear of the Year Awards\u2019 chosen by the SOS editorial team, and the winners voted for by the SOS readership. <\/p>\n

This is also the second time in recent months that an RME product has been chosen for a Sound On Sound accolade, with the RME HDSPe AIO Pro sound card<\/a> also receiving an Editor\u2019s Choice award at the end of last year.<\/p>\n

We\u2019re thrilled therefore to see the 12Mic picking up this highly-coveted award from one of the industry’s most widely-read publications. Big thanks to Sound On Sound and of course a massive thanks to all of you who voted!<\/p>\n

To see the full list of winners, head over to www.soundonsound.com<\/a>, or grab a copy of the latest issue which is on sale now.<\/p>\n

 <\/p>\n

\u201cClean, neutral and quiet, whilst offering enormous gain
with impressive headroom and configurability\u201d<\/h3>\n

 <\/p>\n

\"RME<\/a>Designed for the next decade<\/h4>\n

The RME 12Mic is a 12-channel, remote-controllable microphone preamplifier designed for use in high-end studio recording, live audio, and location sound and music recording.<\/p>\n

First reviewed by Sound On Sound<\/a>\u2019s Technical Editor Hugh Robjohns back in February last year, who described the 12Mic as “clean, neutral and quiet, whilst offering enormous gain\u2028 with impressive headroom and configurability\u201d, the 12Mic represents the cutting-edge of RME\u2019s next-generation preamp design.<\/p>\n

Combining the ubiquitous ADAT and MADI digital audio formats with MILAN-compliant AVB\/TSN (Audio Video Bridging \/ Time-Sensitive Networking), the 12Mic allows for easy integration with any of RME\u2019s ADAT or MADI-equipped audio interfaces<\/a>, for a future-proof device with maximum flexibility.<\/p>\n

Extensive front-panel and software remote control combine with RME\u2019s latest transparent microphone preamps – with each analogue input featuring an SNR of 121 dBA (118 dB RMS unweighted) and 75 dB of gain – whilst the on-board headphone output (which can also function as a dual mono unbalanced output \/ mono balanced line level output) allows for direct monitoring of any incoming or outgoing audio signals, or indeed any channel on the network.<\/p>\n

 <\/p>\n

Watch our RME 12Mic Video from NAMM 2020<\/h4>\n