{"id":62257,"date":"2026-01-24T12:55:21","date_gmt":"2026-01-24T12:55:21","guid":{"rendered":"https:\/\/www.synthax.co.uk\/latest\/?p=62257"},"modified":"2026-07-24T12:59:13","modified_gmt":"2026-07-24T11:59:13","slug":"string-and-tins-chooses-dynaudio-m-series-mk-ii-monitors","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2026\/01\/24\/string-and-tins-chooses-dynaudio-m-series-mk-ii-monitors\/","title":{"rendered":"&#8220;A very easy decision in the end&#8221; | String and Tins chooses Dynaudio M-Series Mk-II Monitors"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"article-wrapper\">\n<div class=\"header-img quote-container\"><img decoding=\"async\" style=\"width: 100%;\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/04\/Dynaudio-M-Series-String-and-Tins-Post-Production.jpg\" alt=\"String and Tins post production studio in Soho, London (UK)\"><\/div>\n<h2>Inside the String and Tins Post-Production Studios in Soho<\/h2>\n<p>Will Cohen is a Supervising Sound Designer and co-founder of String and Tins, a post-production studio based in Soho, London. His career in audio post spans over two decades, covering advertising, documentaries and feature films.<\/p>\n<p>Over the years Will has been involved in shaping both creative and technical workflows, from managing teams to specifying and integrating studio systems. We sat down with him for a chat about his career in post-production, and to find out why he chose to upgrade String and Tins\u2019 main mix room with <a title=\"Dynaudio M-Series MkII | Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/dynaudio\/dynaudio-acoustics-m-series\/\">Dynaudio M-series MkII Monitors<\/a>.<\/p>\n<p><iframe loading=\"lazy\" style=\"margin: 2rem auto;\" title=\"String and Tins | Inside an Award-Winning Sound Design Studio (Dynaudio M-Series)\" src=\"https:\/\/www.youtube.com\/embed\/6wM9bqOOoeU\" width=\"1840\" height=\"1035\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>From Music Tech to Post Production<\/h2>\n<p>Will\u2019s path into post-production began almost by accident. \u201cI first got into it by mistake actually,&#8221; Will says. &#8220;I\u2019d come off the back of a music tech course and was looking for a job in a music studio.<\/p>\n<p>&#8220;This was back in 2001. I just applied to every single music studio I could find in London, hand delivering letters and that kind of jazz. I got an interview at a post-production facility, and I turned up in my suit haha. And they were like \u2018we do documentaries and episodic stuff\u2019. And I thought, \u2018you know what, this is something I could actually see myself being interested in for the next 40 years.\u2019\u201d<\/p>\n<p>At the time he had little understanding of the scope of sound design. \u201cI didn\u2019t even really realise that people were adding footsteps and sounds on to people walking around &#8211; it just didn\u2019t really cross my mind,&#8221; he confesses. &#8220;But I quickly realised that a life in music studios working in pop music probably wasn\u2019t for me. So yeah, I got in like that.&#8221;<\/p>\n<p>Starting out as a runner at M2 Television, a Soho facility near Berwick Street, Will gradually moved into the studio. Under the tutelage of Richard Lambett &#8211; then Head of Audio at M2 &#8211; Will gained exposure to long-form and animated series work. Lambett then established his own outfit &#8211; Marmalade, a division that became part of Jungle Studios &#8211; where Will spent seven and a half years developing his skills.<\/p>\n<p><\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63648\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/String-and-Tins-Post-Production-selected-works-1.jpg\" alt=\"Some of the films and TV Shows String and Tins have worked on\" width=\"1714\" height=\"1000\"><\/p>\n<p><\/p>\n<div class=\"article-wrapper\">\n<h2>Building String and Tins<\/h2>\n<p>In 2013, Will joined forces with a couple of fellow engineers to found String and Tins, with the goal of creating a flexible, technically capable studio. \u201cWe were chatting in the pub, and were like \u2018we can do this differently\u2019. Or at least we thought we could,\u201d he laughs.<\/p>\n<p>The early days were modest: a short-term let with partitioned walls, limited equipment, and learning quickly as they went. Like the famous story about advertisers Saatchi &amp; Saatchi &#8211; who in their early days hired volunteers and friends, to sit in their office to make the agency look larger and busier than it actually was when clients visited &#8211; Will says they had a single sofa that had to be quietly shuffled between rooms during client visits.<\/p>\n<p>Over the years the studio evolved into its current Soho location, a multi-award winning studio that features five mix rooms: two Dolby Atmos-enabled, three stereo rooms, two additional recording booths, and a wide selection of gear: microphones, studio outboard, and other toys like classic synthesizers &#8211; a Sequential Pro 3, a hidden modular Eurorack, and a Waldorf Quantum &#8211; plus a piano in the lobby.<\/p>\n<p>&#8220;All our rooms are on a Dante network, and we can remote into the booths from any room,&#8221; explains Will. &#8220;We have something called an NTP Penta pre, which is an 8-channel preamp made by the parent company of DAD, and that comes up on the Avid S6 in each room. We\u2019ve got DAD Matrixes in pretty much every room, and every room has Dynaudio monitoring.<\/p>\n<p>&#8220;We\u2019ve got some other nice pres &#8211; all the rooms have Neve 1073s. The compressor\/limiters are called 2206s I think, and we\u2019ve got API pres as well depending on what clients want or what we want. The APIs have loads of clean gain &#8211; the Neves have a little bit more flavour. Some people seem to want the Neve for ADR. So we have things to suit whatever people want.&#8221;<\/p>\n<p><\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63650\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio-M-series_String-and-Tins-mix-position.jpg\" alt=\"The mix position in String and Tins Dolby Atmos mix stage\" width=\"960\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio-M-series_String-and-Tins-mix-position.jpg 960w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio-M-series_String-and-Tins-mix-position-240x300.jpg 240w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio-M-series_String-and-Tins-mix-position-819x1024.jpg 819w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio-M-series_String-and-Tins-mix-position-768x960.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/p>\n<p><\/p>\n<div class=\"article-wrapper\">\n<h2>Projects and Experiences<\/h2>\n<p>Will&#8217;s work takes him into a wide range of projects &#8211; from advertising and branding, to feature-length documentaries. Notable recent works include <a title=\"Kensuke\u2019s Kingdom | Official Movie Website\" href=\"https:\/\/www.kensukeskingdom.com\/\" target=\"_blank\" rel=\"noopener\">Kensuke&#8217;s Kingdom<\/a>, an animation based on the novel by Michael Morpugo &#8211; where Will acted as both Sound Designer and Mixer &#8211; as well as a documentary for Adidas about Paralympic athlete Lauren Rowles.<\/p>\n<p>Among his earlier work, Will cites advertising short <a href=\"https:\/\/www.youtube.com\/watch?v=MtRzkaSF66o\" target=\"_blank\" rel=\"noopener\">Audi Birth<\/a> as a stand out. \u201cI wrote the music for that,&#8221; recalls Will. &#8220;I had a lot of fun with Zynaptic\u2019s Morph plugin, morphing this Audio R8 car with horses screaming and other unusual sounds. It all came together really nicely.\u201d<\/p>\n<p>Currently, he is working on the new full-cast audio books of the <a href=\"https:\/\/www.audible.co.uk\/ep\/pottermore\" target=\"_blank\" rel=\"noopener\">Harry Potter books for Audible<\/a>, which features actors such as Hugh Laurie, Kiera Knightley, Kit Harrington, James McAvoy and Matt Berry. All fully realised in Dolby Atmos.<\/p>\n<p><\/p>\n<h2>Choosing Dynaudio M-series<\/h2>\n<p>Will\u2019s experience with Dynaudio monitors dates back to the early 2000s. \u201cWhen I first got a job as a runner, I moved in with my mate Tom,&#8221; he says. &#8220;He was doing remix work and making a bit of money, like his remix for Jamiroquai. And the first thing he did was bought a pair of Dynaudio BM5As.<\/p>\n<p>&#8220;It was like the most open listening experience I think I\u2019d had to date. They just were so clean and crisp, and the image was pinging. And yeah, from that moment on I&#8217;m like, &#8216;I&#8217;m going with Dynaudios&#8217;.\u201d<\/p>\n<p>Over the years Will has owned BM6s and BM15 passives. When it came to outfitting String and Tins, he considered a couple of alternatives such as Meyer and Genelec. \u201cI had a room at Jungle Studios that had Genelecs, and to be honest I didn\u2019t always have the best time in there. Whereas Dynaudio to me sounds very natural. The top end feels nice. They\u2019re very unfatiguing &#8211; it was a very easy decision in the end.\u201d<\/p>\n<p>The main mix room features a 9.3.6 Atmos custom configuration from the <a href=\"https:\/\/www.synthax.co.uk\/dynaudio\/dynaudio-acoustics-m-series\/\" target=\"_blank\" rel=\"noopener\">Dynaudio Acoustics M-Series<\/a>: M3Fs in the screen, MA15s in surrounds and ceiling, and MS15s for subs.<\/p>\n<p>Dynaudio Acoustics provided custom cabinets for the studio, as well as handling the installation. Will notes the reliability of the system, and the support from Dynaudio and Synthax UK: \u201cAs you can imagine, our speakers get a lot of use. We\u2019ve only had two speakers have any damage, almost certainly from our doing, and both of them have been fixed very quickly.\u201d<\/p>\n<p><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63652\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Ceiling-mounted-Dynaudio-M-Series-Mk-II-monitors.jpg\" alt=\"Dynaudio MS18 subwoofer and MF15 mounted in the ceiling at String and Tins\" width=\"960\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Ceiling-mounted-Dynaudio-M-Series-Mk-II-monitors.jpg 960w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Ceiling-mounted-Dynaudio-M-Series-Mk-II-monitors-240x300.jpg 240w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Ceiling-mounted-Dynaudio-M-Series-Mk-II-monitors-819x1024.jpg 819w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Ceiling-mounted-Dynaudio-M-Series-Mk-II-monitors-768x960.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Dynaudio M-Series Mk-II M3F and MS15 subwoofers mounted in the ceiling<\/em><\/p>\n<p><\/p>\n<h2>Working in Dolby Atmos<\/h2>\n<p>Will is an advocate for Dolby Atmos, highlighting the creative flexibility it offers, as well as the immersive headphone mixes, and consistent translation across multiple platforms. &#8220;The development of Atmos as a format has really benefited us creatively,&#8221; he says.<\/p>\n<h2>&nbsp;<\/h2>\n<h2 style=\"text-align: center;\">&#8220;a more interesting sonic experience&#8221;<\/h2>\n<p><\/p>\n<p>&#8220;I really like working with a 3D panel and not having to think too much about channels. Atmos enables you a more free-thinking method of mixing. That person walking and talking in my tracks is an object, right? You\u2019re not thinking about what channel it\u2019s coming out of; you\u2019re thinking about where it is on screen, and how that should play out in a real-world space.<\/p>\n<p>&#8220;Creating binaural work in Atmos is also really exciting. It allows us to give someone listening on headphones a much more interesting sonic experience.&#8221;<\/p>\n<\/div>\n<div class=\"article-wrapper\">\n<h2>Advice for aspiring Sound Designers<\/h2>\n<p>Will\u2019s advice is straightforward: enthusiasm, practice, and loving what you do are all essential. &#8220;Primarily, you\u2019ve got to ask yourself, \u2018Do I love what I\u2019m doing here?\u2019&#8221; he reflects.<\/p>\n<p>&#8220;If you love making noises, recording sound, mangling stuff, computers, then stage one is complete. Then get on with it &#8211; collaborate, have something to show for yourself, and keep making things. The more you make, the more threads of life expand in front of you.&#8221;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"head-img right-img alignright wp-image-62052\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Dynaudio_Acoustics_M-Series_MkII_M3F.jpg\" alt=\"Dynaudio M-Series M3F main speaker\" width=\"1000\" height=\"1000\"><\/p>\n<p>&#8220;It&#8217;s very easy to be anxious or afraid of putting yourself out there. It&#8217;s scary not knowing people, and not knowing where to go. But I think you\u2019ve just got to be brave.<\/p>\n<p>&#8220;Just make sure when you do, you&#8217;ve got something to show for yourself. Because if someone gives you that time&#8230; I mean it\u2019s happened to me before. I&#8217;ll meet up with someone and say \u2018okay show me what you&#8217;ve got, show me your SoundCloud\u2019. And they&#8217;re like, \u2018oh no, I haven&#8217;t got anything public yet\u2019. I have some music going on, but it&#8217;s not ready yet.&#8217;<\/p>\n<p>&#8220;Then two years later they say the same thing. So you&#8217;re never going to be ready? It&#8217;s like, that&#8217;s really game over&#8230; So yeah, make sure you&#8217;ve got something to show for yourself. And then hit it hard. Be brave!&#8221;<\/p>\n<p>To finish off, Will reflects on what first drew him to sound design. Despite continuing to produce his own music, ultimately it&#8217;s his interest in creating new sounds that keeps him coming back for more.<\/p>\n<p>&#8220;I came to realise quite early on in my adult life that I\u2019m not primarily a composer,&#8221; he says. &#8220;I\u2019m more interested in mangling something than making an arrangement. I don&#8217;t have that desire to create big musical structures. I can do it, but it&#8217;s not in my blood. Some people just have to, it&#8217;s like their calling, they have to get these ideas out.<\/p>\n<p>&#8220;I mean I&#8217;ve got a friend of mine, <a title=\"Max Cooper \u2013 Home\" href=\"https:\/\/maxcooper.net\/\" target=\"_blank\" rel=\"noopener\">Max Cooper<\/a>, he&#8217;s a relatively well known electronic musician. I remember meeting up with him, we were in our 20s and we&#8217;d left uni, and suddenly he&#8217;s on Radio One, doing a Radio One mix. And I&#8217;m like, what the hell? And we were chatting and he says &#8216;I&#8217;ve written 50 tunes this year.&#8217;<\/p>\n<p>&#8220;It&#8217;s like, no wonder he&#8217;s successful &#8211; he&#8217;s just absolutely living and breathing his music, churning out tracks. Not all of them will necessarily be amazing, but there&#8217;ll be some great music in there. And then there&#8217;s me like, you know, &#8216;I&#8217;ve made three things this year and I don&#8217;t want to play them to anyone&#8230;&#8217;. I guess that&#8217;s what made me realise I&#8217;m not really a composer.<\/p>\n<p>&#8220;I&#8217;d rather download Radium (Soundminer Pro) and mess with that. Work out what else it can do. For no real reason haha. And I&#8217;m totally cool with that. That\u2019s part of why I\u2019m a Sound Designer. You have to work out what your superpower is.&#8221;<\/p>\n<p>Our thanks to Will Cohen and String and Tins. To find out more about their latest work, head to over <a title=\"String and Tins | Sound design and production studio based in\u2026\" href=\"https:\/\/www.stringandtins.com\/\" target=\"_blank\" rel=\"noopener\">www.stringandtins.com<\/a><\/p>\n<p>See the full range of <a href=\"https:\/\/www.synthax.co.uk\/dynaudio\/dynaudio-acoustics-m-series\/\" target=\"_blank\" rel=\"noopener\">Dynaudio M-series monitors<\/a><\/p>\n<p><\/p>\n<h2 style=\"text-align: center;\">Want to know more about Dynaudio M-series? <br>Give us a call on 01727 821 870 or <a href=\"https:\/\/www.synthax.co.uk\/contact-us\/\">contact us here<\/a>.<\/h2>\n<p><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63654\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder.jpg\" alt=\"Will Cohen, Co-Founder of String and Tins Post-Production in Soho\" width=\"1799\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder.jpg 1799w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder-300x200.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder-1024x683.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder-768x512.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/07\/Will-Cohen-String-and-Tins-Cofounder-1536x1025.jpg 1536w\" sizes=\"(max-width: 1799px) 100vw, 1799px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Will Cohen, Supervising Sound Designer and Co-Founder of String and Tins<\/em><\/p>\n<\/div>\n<div class=\"article-wrapper\">\n<h2 style=\"font-weight: bold;\">Read Next: Other Dynaudio User Stories<\/h2>\n<div class=\"article\">\n<figure><a title=\"Sound Disposition chooses Dynaudio Acoustics M-Series\" href=\"https:\/\/www.synthax.co.uk\/latest\/2025\/11\/10\/dynaudio-acoustics-m-series-sound-disposition-studio\/\"><img decoding=\"async\" class=\"head-img\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2025\/11\/Dynaudio_M-Series_Sound-Disposition-Mix-Stage.jpg\"><\/a><\/figure>\n<h2 style=\"font-weight: 500;\">Audio Post-Production<\/h2>\n<p style=\"font-size: 1.2rem;\">\u201cThe best balance in terms of sound\u201d | Sound Disposition chooses Dynaudio Acoustics M-Series<\/p>\n<p style=\"margin-top: 2rem;\"><a class=\"article-link\" title=\"Sound Disposition chooses Dynaudio Acoustics M-Series\" href=\"https:\/\/www.synthax.co.uk\/latest\/2025\/11\/10\/dynaudio-acoustics-m-series-sound-disposition-studio\/\">Read More<\/a><\/p>\n<p style=\"clear: both;\">\n<\/p><\/div>\n<p style=\"border-bottom: 1px solid #ccc; width: 60%; margin: 2rem auto;\">\n<\/p><div class=\"article\">\n<figure><a title=\"Earthsound Post and the Dynaudio Core 59s\" href=\"https:\/\/www.synthax.co.uk\/latest\/2025\/11\/10\/dynaudio-acoustics-m-series-sound-disposition-studio\/\"><img decoding=\"async\" class=\"head-img\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2024\/02\/Earthsound-Post-Foley-Feature-Image-synthax-audio-uk-1.jpg\"><\/a><\/figure>\n<h2 style=\"font-weight: 500;\">Foley Sound<\/h2>\n<p style=\"font-size: 1.2rem;\">Inside a Foley Studio: Earthsound Post and the Dynaudio Core 59s<\/p>\n<p style=\"margin-top: 2rem;\"><a class=\"article-link\" title=\"Earthsound Post and the Dynaudio Core 59s\" href=\"https:\/\/www.synthax.co.uk\/latest\/2025\/11\/10\/dynaudio-acoustics-m-series-sound-disposition-studio\/\">Read More<\/a><\/p>\n<p style=\"clear: both;\">\n<\/p><\/div>\n<p style=\"border-bottom: 1px solid #ccc; width: 60%; margin: 2rem auto;\">\n<\/p><div class=\"article\">\n<figure><a title=\"DJ and Producer Andy Hunter\u00b0 on the Dynaudio Core Series\" href=\"https:\/\/www.synthax.co.uk\/latest\/2024\/06\/06\/andy-hunter-interview-dynaudio-core-series\/\"><img decoding=\"async\" class=\"head-img\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2024\/06\/Andy-Hunter-Interview-Dynaudio-Synthax-Audio-UK.jpg\"><\/a><\/figure>\n<h2 style=\"font-weight: 500;\">Music Production<\/h2>\n<p style=\"font-size: 1.2rem;\">\u201cI\u2019m sure they\u2019ll do me proud for years to come\u201d | DJ and Producer Andy Hunter\u00b0 on the Dynaudio Core Series<\/p>\n<p style=\"margin-top: 2rem;\"><a class=\"article-link\" title=\"DJ and Producer Andy Hunter\u00b0 on the Dynaudio Core Series\" href=\"https:\/\/www.synthax.co.uk\/latest\/2024\/06\/06\/andy-hunter-interview-dynaudio-core-series\/\">Read More<\/a><\/p>\n<p style=\"clear: both;\">\n<\/p><\/div>\n<p style=\"border-bottom: 1px solid #ccc; width: 60%; margin: 2rem auto;\">\n<\/p><div class=\"article\">\n<figure><a title=\"SAE London Chooses Dynaudio to Power Next-Generation Immersive Audio Education\" href=\"https:\/\/www.synthax.co.uk\/latest\/2026\/05\/21\/sae-london-dynaudio-core-series-dolby-atmos\/\"><img decoding=\"async\" class=\"head-img\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/05\/SAE-London-Dynaudio-Core-Series-monitors.jpg\"><\/a><\/figure>\n<h2 style=\"font-weight: 500;\">Education<\/h2>\n<p style=\"font-size: 1.2rem;\">SAE London Chooses Dynaudio to Power Next-Generation Immersive Audio Education<\/p>\n<p style=\"margin-top: 2rem;\"><a class=\"article-link\" title=\"SAE London Chooses Dynaudio to Power Next-Generation Immersive Audio Education\" href=\"https:\/\/www.synthax.co.uk\/latest\/2026\/05\/21\/sae-london-dynaudio-core-series-dolby-atmos\/\">Read More<\/a><\/p>\n<p style=\"clear: both;\">\n<\/p><\/div>\n<p style=\"border-bottom: 1px solid #ccc; width: 60%; margin: 2rem auto;\">\n<\/p><\/div>\n<div class=\"article-wrapper\">\n<hr style=\"opacity: 0.15;\">\n<p><img decoding=\"async\" loading=\"lazy\" id=\"dyn-logo\" class=\"head-img alignleft\" style=\"margin-top: 32px;\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2022\/09\/Dynaudio-Logo.jpg\" alt=\"Dynaudio PRO Studio Monitors logo\" width=\"177\" height=\"23\"><\/p>\n<p>Dynaudio is world-famous for making hand-crafted high-end loudspeakers for living rooms, home cinemas, cars and professional recording studios.<\/p>\n<p>Since the beginning in 1977, the company has made iconic products rooted in a love of music and film \u2013 reproducing exactly what the artist intended. Nothing more, nothing less.<\/p>\n<p><\/p>\n<\/div>\n\n\n<style>\n\n.article {\n  background-color: #fafcff;\n  padding: 1rem 2rem;\n  border: 1px solid #fff;\n  border-radius: 11px;\n}\n\n.article:hover {\n  transform: rotate(0) scale(1.02);\n  border-collapse: collapse;\n  transition-duration: 300ms;\n}\n\n.article p {\n  font-weight: 300;\n}\n\n.article-link {\n  border: 1px #00569A solid;\n  border-radius: 6px;\n  padding: 0.4rem 0.6rem;\n  margin-top: 1.6rem;\n}\n\n.article-link:hover {\n  color: #957616;\n  border: 1px #957616 solid;\n  border-radius: 6px;\n}\n\n\/* --------------------\n   Article Images\n-------------------- *\/\n\n\/* Mobile first *\/\n.article img {\n  display: block;\n  float: none;\n  width: 100%;\n  margin: 0 0 1.5rem;\n}\n\n.right-img {\n  width: 40%;\n}\n\n.tech-spec {\n  margin: 1rem auto;\n  background: aliceblue;\n  padding: 1rem;\n}\n\n.video-embed {\n  background: #f1f1f1;\n  padding: 2rem;\n}\n\n.video-embed p,\n.video-embed h2 {\n  text-align: center;\n}\n\n.video-embed p {\n  font-size: 1.3rem;\n}\n\n.wordpress-wrapper ul li {\n  list-style: disclosure-closed;\n  margin-left: 1rem;\n}\n\n#milan-products li {\n  list-style: disc;\n  margin-bottom: 0;\n}\n\n#attachment_50344 {\n  border: none;\n}\n\nh1 {\n  line-height: 36px;\n}\n\n.article-wrapper p,\n.article-wrapper li {\n  font-size: 1.1rem;\n  line-height: 26px !important;\n  margin-bottom: 24px;\n}\n\n.article-wrapper-heading {\n  margin-top: 20px;\n  letter-spacing: 0.099em;\n}\n\n.eightCol {\n  padding: 0 !important;\n}\n\n.wp-block-separator {\n  margin: 10px;\n}\n\n.footer-top-wrapper {\n  padding-bottom: 0;\n}\n\n.footer-text {\n  font-family: \"Helvetica Neue\", Helvetica, Arial, sans-serif;\n  font-size: 0.9rem;\n  font-weight: 400;\n  margin: 20px 0;\n}\n\n.footer-text p {\n  line-height: 26px !important;\n}\n\n.head-img-txt {\n  font-size: 110%;\n  font-style: italic;\n}\n\n\/* --------------------\n   Mobile\n-------------------- *\/\n\n@media only screen and (max-width: 768px) {\n\n  .article-wrapper p,\n  .article-wrapper li {\n    line-height: 22px !important;\n  }\n\n  h2 {\n    font-size: 21px;\n    line-height: 28px;\n  }\n\n  .right-img {\n    width: 98vw;\n  }\n\n  .head-img {\n    width: 98vw;\n    display: flex;\n    flex-direction: row;\n    flex-wrap: wrap;\n    justify-content: center;\n    margin: auto;\n    clear: both;\n  }\n\n  .head-img-lg {\n    width: 90vw;\n    padding-left: 100px;\n  }\n\n  .logo-img {\n    width: 50vw;\n    display: flex;\n    justify-content: center;\n    margin: 20px auto !important;\n    float: none !important;\n  }\n\n  .separator {\n    display: none;\n  }\n\n  .article-wrapper p,\n  .article-wrapper li {\n    font-size: 1.1rem;\n    line-height: 22px !important;\n  }\n\n  .footer-text {\n    font-weight: 400;\n  }\n}\n\n\/* --------------------\n   Desktop\n-------------------- *\/\n\n@media only screen and (min-width: 768px) {\n\n  .article img {\n    float: right;\n    width: 35%;\n    margin: 0 -2rem 1rem 2rem;\n  }\n\n  .image-caption {\n    width: 60%;\n    display: flex;\n    margin: auto;\n  }\n}\n\n<\/style>\n\n\n<script>document.addEventListener(\"DOMContentLoaded\", function () {\r\n  const divWithImg = document.querySelector('div.header-img');\r\n  const container = document.querySelector('.container.cf');\r\n\r\n  if (divWithImg && container && container.parentElement) {\r\n    container.parentElement.insertBefore(divWithImg, container);\r\n  }\r\n});<\/script>\n","protected":false},"excerpt":{"rendered":"<p>Inside the String and Tins Post-Production Studios in Soho Will Cohen is a Supervising Sound Designer and co-founder of String and Tins, a post-production studio based in Soho, London. His career in audio post spans over two decades, covering advertising, documentaries and feature films. Over the years Will has been involved in shaping both creative&hellip;<\/p>\n","protected":false},"author":3,"featured_media":62480,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[4,494],"tags":[2383,614,739,2051,919,286,2591,1063,2052,2592,2391,2370,2574,563,299,478,1181,74,2573],"_links":{"self":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/62257"}],"collection":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/comments?post=62257"}],"version-history":[{"count":104,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/62257\/revisions"}],"predecessor-version":[{"id":63738,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/62257\/revisions\/63738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media\/62480"}],"wp:attachment":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media?parent=62257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/categories?post=62257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/tags?post=62257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}