{"id":63904,"date":"2026-10-23T14:36:53","date_gmt":"2026-10-23T13:36:53","guid":{"rendered":"https:\/\/www.synthax.co.uk\/latest\/?p=63904"},"modified":"2026-10-23T16:20:50","modified_gmt":"2026-10-23T15:20:50","slug":"point-blank-london-chooses-dynaudio-core-immersive-audio","status":"publish","type":"post","link":"https:\/\/www.synthax.co.uk\/latest\/2026\/10\/23\/point-blank-london-chooses-dynaudio-core-immersive-audio\/","title":{"rendered":"Point Blank London chooses Dynaudio Core Series for immersive audio education"},"content":{"rendered":"<div class=\"article-wrapper\">\n<div class=\"header-img quote-container\"><img decoding=\"async\" style=\"width: 100%;\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/Dynaudio-Point-Blank-Hero-IMG-02-1.jpg\" alt=\"Richard Stockdale calibrating the room at pointblank Music\"><\/div>\n<h2 style=\"margin-top: 2rem;\">pointblank London chooses Dynaudio Core Series for immersive audio education<\/h2>\n<p><strong>pointblank has invested in a new generation of immersive audio facilities at its London campuses, including a Dolby Atmos studio monitored by Dynaudio Core Series. We speak to pointblank&#8217;s <em>Creative Director<\/em> JC Concato and <em>Acoustic Consultant<\/em> Richard Stockdale about the thinking behind the room, the challenges of creating an accurate listening environment in a classroom, and why Dynaudio was the natural choice.<\/strong><\/p>\n<p>For pointblank, hands-on experience has always been at the heart of its approach to music education. With immersive and spatial audio becoming an increasingly important part of music production, the school has responded by investing in several dedicated Dolby Atmos facilities, designed to give students experience of a range of professional workflows and monitoring.<\/p>\n<p>\u201cWe try to focus on making sure our lessons are delivered in a very hands-on, practical way,\u201d explains JC Concato, <em>Creative Director<\/em>. \u201cWe&#8217;ve got different breakout groups and theory passages of the lesson, and then the hands-on experience. We all come from the music industry &#8211; everybody from lecturers to staff \u2013 and we know the importance of providing students with equipment that they\u2019ll come across in their careers.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Inside pointblank London's Dolby Atmos Studio | Dynaudio Core Series\" src=\"https:\/\/www.youtube.com\/embed\/M6YKMb_4b84\" width=\"1766\" height=\"994\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center; font-size: 1.2rem; margin-top: 1rem;\">See more videos at <a title=\"Subscribe to the SynthaxTV YouTube channel\" href=\"http:\/\/www.youtube.com\/subscription_center?add_user=synthaxtv\" target=\"_blank\" rel=\"noopener\">Synthax TV<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>That approach led pointblank to create three immersive audio studios, allowing students to experience mixing beyond stereo.<\/p>\n<p>\u201cClearly there&#8217;s a need in the industry. And I think this need is only going to grow,\u201d says JC on the demand for Dolby Atmos skills. \u201cWe need to prepare our students with employable skills. More and more services are requiring and delivering that type of format.<\/p>\n<p>\u201cPart of that is experience with a wide range of monitoring styles. That way when the students graduate, they have the confidence and skills to find employment, get a job, and immediately be good at their job. Again, it&#8217;s about preparing students for the future, which is why we now have several immersive audio spaces.\u201d<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-wrapper\">\n<h2>Designing an immersive classroom<\/h2>\n<p>Creating an accurate Dolby Atmos monitoring environment is challenging enough in a dedicated studio. At pointblank, the room also needs to function as a classroom, with multiple students, computers, screens and other equipment all forming part of the space.<\/p>\n<p><em>Acoustic Consultant<\/em> Richard Stockdale was called upon to design the speaker layout and calibrate the room. With more than 25 years&#8217; experience calibrating studios across post-production, music, television and live sound, he approached the project with both the acoustic and educational requirements in mind.<\/p>\n<p>\u201cThe main challenge in a classroom is the amount of students that need to be in the main listening position, and ensuring that they can all have an accurate presentation,\u201d Richard explains.<\/p>\n<p>\u201cObviously this studio is a classroom as well. There are computers creating reflections in the room, and reflective writing surfaces, televisions, doorways etc. There\u2019s a lot of hard surfaces, which means that we have to be very careful about loudspeaker placements and where the desks are, or the existing seating areas.\u201d<\/p>\n<p>The solution included moving the listening area further back into the room, rather than designing it around a single engineer at a conventional mix position.<\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63924\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746.jpg\" alt=\"Dynaudio Core 7 hung from the ceiling\" width=\"1799\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746.jpg 1799w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746-300x200.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746-1024x683.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746-768x512.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5746-1536x1025.jpg 1536w\" sizes=\"(max-width: 1799px) 100vw, 1799px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"article-wrapper\">\n<p>\u201cThe mix position in this particular studio is slightly different to normal,\u201d Richard elaborates. \u201cUsually you&#8217;d be sitting at the mixing console itself. But it\u2019s a classroom with multiple students, not just a single Mix Engineer, so we\u2019ve moved the main listening position back further to allow for a greater listening area.\u201d<\/p>\n<p>The Dolby Atmos studio is part of a wider refurbishment of pointblank&#8217;s London facilities, bringing new recording, rehearsal and performance spaces as well.<\/p>\n<p>The room itself was developed through collaboration between pointblank, Dynaudio and GIK Acoustics, with the acoustic treatment and monitoring system designed around the specific requirements of the space.<\/p>\n<p>\u201cThere&#8217;s always a challenge inevitably, in designing classrooms that also have the kind of monitoring accuracy of that of a professional recording studio,\u201d says JC. \u201cSo we worked closely with GIK Acoustics, Dynaudio and Synthax Audio UK, in order to get the room to be the best-sounding possible. And I feel that we&#8217;ve got a really good bespoke system.\u201d<\/p>\n<p>These discussions led pointblank to choose the <a title=\"Dynaudio Core Series | Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/dynaudio\/dynaudio-core-series\/\">Dynaudio Core Series<\/a>, Dynaudio&#8217;s flagship studio monitors designed for use in professional recording studios, with a 7.1.4 system made up of:<\/p>\n<ul>\n<li>3 x Dynaudio Core 59 (LCR)<\/li>\n<li>4 x Dynaudio Core 59 (Sides, Rears)<\/li>\n<li>4 x Dynaudio Core 7 (Cloud)<\/li>\n<li>1 x Dynaudio Core Sub (Sub\/LFE)<\/li>\n<\/ul>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63927\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763.jpg\" alt=\"Measurements microphones for speaker calibration\" width=\"1799\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763.jpg 1799w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763-300x200.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763-1024x683.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763-768x512.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5763-1536x1025.jpg 1536w\" sizes=\"(max-width: 1799px) 100vw, 1799px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"article-wrapper\">\n<h2>Calibrating for Dolby Atmos<\/h2>\n<p>Once the loudspeakers were installed, Richard&#8217;s first task was to understand how the size, shape and contents of the room affect its acoustics.<\/p>\n<p>\u201cThe process of calibrating any studio, and an Atmos studio in particular, is about understanding the acoustic signature of the room itself,\u201d he says.<\/p>\n<p>\u201cThis involves setting up microphones &#8211; we traditionally use eight, but they&#8217;re not placed at random. You have to analyse the space; understand where there might be acoustic issues; which issues you want to measure; and then how you would average all of those results together.<\/p>\n<p>\u201cWe use industry-standard measurements and equipment, then work towards the target curve for Dolby Atmos music studios. This involves using pink noise as a reference tone, at a known calibrated level. We&#8217;re then working towards bringing that inline with Dolby&#8217;s specifications, to ensure that the studio is aligned and calibrated correctly.\u201d<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63928\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681.jpg\" alt=\"SSL console, Dynaudio Core 59s and Yamaha NS10s\" width=\"1800\" height=\"1124\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681.jpg 1800w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681-300x187.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681-1024x639.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681-768x480.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5681-1536x959.jpg 1536w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"article-wrapper\">\n<p>For pointblank, having that final calibration carried out by an experienced specialist was an important part of the project.<\/p>\n<p>\u201cIt was very important to get somebody who has that experience in the industry,\u201d says JC. \u201cWe&#8217;ve invested so much in getting these facilities to a really high standard. From the refurbishment in every room, to the equipment, the speakers and the monitoring. A lot of work has been put in. So it was really important that that final touch was on the same level as the equipment.\u201d<\/p>\n<p>\u201cRichard has calibrated the biggest mixing studio theatres and recording studios in the world. He\u2019s calibrated and worked at Pinewood, where a lot of big movies are mixed. That&#8217;s his specialty. So having him on board gave us a kind of \u2018seal of guarantee\u2019 that we were getting the best out of the system, and we\u2019re really confident that the students are getting the best possible experience in this environment.<\/p>\n<p>\u201cOn top of that we know Richard has worked extensively with Dynaudio, so there was no doubt for us it was the perfect match.\u201d<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63930\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780.jpg\" alt=\"A selection of gear from Empirical Labs, Neve, dbx and Joe Meek in the rack.\" width=\"1799\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780.jpg 1799w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780-300x200.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780-1024x683.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780-768x512.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5780-1536x1025.jpg 1536w\" sizes=\"(max-width: 1799px) 100vw, 1799px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"article-wrapper\">\n<h2>Why Dynaudio?<\/h2>\n<p>For JC, choosing Dynaudio was also informed by many years of personal experience with the brand. His first experience with Dynaudio speakers made a lasting impression, particularly when he heard how well a mix translated outside the studio.<\/p>\n<p>\u201cIn my music career I&#8217;ve had quite a bit of experience with Dynaudio speakers, from back in the early 90s,\u201d says JC. \u201cA lot of the recording studios, and a lot of the producers I used to mix and engineer for, used to have the BM15 speakers.<\/p>\n<p>\u201cI remember the first producer that I worked with &#8211; from the first time I worked with him &#8211; I was really, really impressed with the way the mix translated when taken outside. And that was my first experience with Dynaudio.\u201d<\/p>\n<p>For JC, that ability to work for long periods while maintaining a reliable perspective on the mix remains important.<\/p>\n<p>\u201cI do find them really pleasant to work with over a long period of time. You don&#8217;t have that kind of ear fatigue that maybe you can get with some other speakers, depending on what level you&#8217;re working at. But also more importantly, the fact that they translate so well is a big factor.\u201d<\/p>\n<p>Those qualities made Dynaudio a natural choice for the new immersive facility.<\/p>\n<p>\u201cFor those reasons it was a no-brainer decision when it came to designing our latest immersive audio studio. And also the fact that Dynaudio is used extensively in post-production, it was clearly the right choice to prepare our students for equipment they\u2019ll work with in the future.\u201d<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-63922\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667.jpg\" alt=\"pointblank London's latest Dolby Atmos classroom\" width=\"1799\" height=\"1200\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667.jpg 1799w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667-300x200.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667-1024x683.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667-768x512.jpg 768w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2026\/10\/4P8A5667-1536x1025.jpg 1536w\" sizes=\"(max-width: 1799px) 100vw, 1799px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"article-wrapper\">\n<h2>A room ready for the next generation<\/h2>\n<p>For JC, the value of a properly designed and calibrated system extends beyond simply learning how to mix in Atmos &#8211; it\u2019s also about developing critical listening skills.<\/p>\n<p>\u201cMost people will at some point do some work in the bedroom,\u201d he says. &#8220;The gap in equipment between a commercial studio and a home studio has closed a lot, but you\u2019ll still end up working in the bedroom. And most bedroom producers and students probably won&#8217;t have the physical space to set up a Dolby Atmos system.\u201d<\/p>\n<p>\u201cYou can do it on cheaper speakers and get an experience &#8211; and you can even do it on headphones through binaural etc. But I think there&#8217;s something in &#8211; like we&#8217;ve seen today, having calibrated the system and finally being able to listen to it &#8211; the experience is just something else altogether.\u201d<\/p>\n<p>\u201cI think that&#8217;s the key in having high-end, professional monitoring &#8211; to be able to develop critical listening. And then be able to compare with maybe the speakers you have at home, the headphones that you have at home, the studio that you&#8217;re going to collaborate in with your mate.\u201d<\/p>\n<p>\u201cCertainly you&#8217;re starting with a fuller picture about &#8216;what is critical listening?&#8217;. And then you&#8217;re able to make better decisions as you continue to develop that skill.\u201d<\/p>\n<p>Following the final calibration, JC&#8217;s reaction was immediate.<\/p>\n<p>\u201cIt&#8217;s a bit like finishing a big music project. Like when you finish a record. It was great to finally get to hear the room with everything calibrated. And I&#8217;ve got to say, the room sounds really great.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright head-img wp-image-49177\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2023\/02\/Dynaudio-Core-Family-7-59-horizontal.jpg\" sizes=\"(max-width: 401px) 100vw, 401px\" srcset=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2023\/02\/Dynaudio-Core-Family-7-59-horizontal.jpg 1500w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2023\/02\/Dynaudio-Core-Family-7-59-horizontal-300x133.jpg 300w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2023\/02\/Dynaudio-Core-Family-7-59-horizontal-1024x455.jpg 1024w, https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2023\/02\/Dynaudio-Core-Family-7-59-horizontal-768x341.jpg 768w\" alt=\"Dynaudio Core 7 (upright) and Core 59 (horizontal) studio monitors\" width=\"401\" height=\"178\"><\/p>\n<p>\u201cEverybody had a kind of a big smile on their face, and I&#8217;m really looking forward to welcoming students to the room and seeing how they develop.\u201d<\/p>\n<p>Perhaps the ultimate endorsement of the new facility, is that the person responsible for overseeing its educational use is already eager to use it himself.<\/p>\n<p>\u201cPersonally I can&#8217;t wait. I genuinely can&#8217;t wait to put students in here,\u201d finishes JC. \u201cBecause I genuinely feel this is something great \u2013 as soon as I heard it, it made me want to mix something myself in here in Dolby Atmos.\u201d<\/p>\n<p>Our thanks to JC, Richard Stockdale and pointblank Music.<\/p>\n<p>To find out more about the eduction offered at pointblank, visit <br><a title=\"Music Production School | DJing &amp; Sound Engineering | pointblank\" href=\"https:\/\/www.pointblankmusicschool.com\/\" target=\"_blank\" rel=\"noopener\">www.pointblankmusicschool.com<\/a><\/p>\n<p><a title=\"Dynaudio Studio Monitors | Synthax Audio UK\" href=\"https:\/\/www.synthax.co.uk\/dynaudio\/\">See the full range of Dynaudio Studio Monitors<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr style=\"opacity: 0.15;\">\n<p><img decoding=\"async\" loading=\"lazy\" id=\"dyn-logo\" class=\"head-img alignleft\" style=\"margin-top: 32px;\" src=\"https:\/\/www.synthax.co.uk\/latest\/wp-content\/uploads\/2022\/09\/Dynaudio-Logo.jpg\" alt=\"Dynaudio PRO Studio Monitors logo\" width=\"177\" height=\"23\"><\/p>\n<p>Dynaudio is world-famous for making hand-crafted high-end loudspeakers for living rooms, home cinemas, cars and professional recording studios.<\/p>\n<p>Since the beginning in 1977, the company has made iconic products rooted in a love of music and film \u2013 reproducing exactly what the artist intended. Nothing more, nothing less.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\n\n<style>\n\n.right-img {\n  width: 40%;\n}\n\n.tech-spec {\n  margin: 1rem auto;\n  background: aliceblue;\n  padding: 1rem;\n}\n\n.video-embed {\n  background: #f1f1f1;\n  padding:2rem;\n}\n\n.video-embed p, .video-embed h2 {\n  text-align:center;\n}\n\n.video-embed p {\n  font-size: 1.3rem;\n}\n\n.wordpress-wrapper ul li {\n  list-style: disclosure-closed;\n  margin-left: 1rem;\n}\n\n#milan-products li{\n  list-style: disc;\n  margin-bottom: 0rem;\n}\n\n#attachment_50344 {\n  border: none;\n}\n\nh1 {\n  line-height: 36px;\n}\n\n.article-wrapper p, .article-wrapper li {\n  font-size: 1.1rem;\n  line-height: 26px !important; \n  margin-bottom: 24px;\n}\n\n\/*\n.article-wrapper h3, .article-wrapper h2 {\n  letter-spacing: 0.099em !important;\n}\n*\/\n\n\n.article-wrapper-heading {\n  margin-top: 20px;\n  letter-spacing: 0.099em;\n}\n\n\n.eightCol {\n  padding: 0 !important;\n}\n\n.wp-block-separator {\n  margin: 10px;\n}\n\n.footer-top-wrapper {\n  padding-bottom: 0;\n}\n\n\n.footer-text {\n  font-family: \"Helvetica Neue\", Helvetica, Arial, sans-serif; \n  font-size: 0.9rem; \n  font-style: normal; \n  font-variant: normal;\n  font-weight: 400;\n  margin: 20px 0;\n}\n\n.footer-text p {\n  line-height: 26px !important;\n}\n\n  .head-img-txt {\n    font-size: 110%;\n    font-style: italic;\n  }\n\n@media only screen and (max-width: 768px) {\n\nh2 {\n  font-size: 21px;\n  line-height: 28px;\n}\n\n\n.right-img {\n  width: 98vw;\n}\n\n  .head-img {\n    width: 98vw;\n    display: flex;\n    flex-direction: row;\n    flex-wrap: wrap;\n    justify-content: center;\n    margin: auto;\n    clear: both;\n  }\n\n  .head-img-lg {\n    width: 90vw;\n    padding-left: 100px;\n  }\n\n\n  .logo-img {\n    width: 50vw;\n    display: flex;\n    justify-content: center;\n    margin: 20px auto !important;\n    float: none !important;\n  }\n  \n  .separator {\n    display: none;\n  }\n\n.article-wrapper p, .article-wrapper li {\n    font-size: 1.1rem;\n  line-height: 22px !important; \n}\n\n\/*\n.article-wrapper h3, .article-wrapper h2 {\n  letter-spacing: 0.01em !important;\n}\n*\/\n\n.footer-text {\n  font-weight: 400;\n}\n\n}\n\n@media only screen and (min-width: 768px) {\n\n.image-caption {\n  width: 60%;\n  display: flex;\n  margin: auto;\n}\n\n<\/style>\n","protected":false},"excerpt":{"rendered":"<p>pointblank London chooses Dynaudio Core Series for immersive audio education pointblank has invested in a new generation of immersive audio facilities at its London campuses, including a Dolby Atmos studio monitored by Dynaudio Core Series. We speak to pointblank&#8217;s Creative Director JC Concato and Acoustic Consultant Richard Stockdale about the thinking behind the room, the&hellip;<\/p>\n","protected":false},"author":3,"featured_media":64033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[4,494],"tags":[2805,2298,592,952,2051,2807,2244,2803,286,2730,2052,2802,2801,2804,2806,563,273],"_links":{"self":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/63904"}],"collection":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/comments?post=63904"}],"version-history":[{"count":28,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/63904\/revisions"}],"predecessor-version":[{"id":64034,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/posts\/63904\/revisions\/64034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media\/64033"}],"wp:attachment":[{"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/media?parent=63904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/categories?post=63904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.synthax.co.uk\/latest\/wp-json\/wp\/v2\/tags?post=63904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}