Dynaudio UK Dealers

“I have been working on Dynaudio monitors for nearly 12 years, often for 14 hours a day, and ‘ear fatigue’, or having a sense of fatiguing was never on my radar.”

“No doubt, the LYD 48’s translate perfectly to other playback systems.”

Ben Zebelman – Composer

“I am a big fan of Dynaudio monitors… They image really well, have great definition in the low end, and are very detailed throughout the frequency spectrum.”

Carl Tatz – Producer / Studio Designer

“The LYD 48’s were already the greatest development in my studio with regard to mixing and overdubbing, but now that I also have the 18S subwoofer it’s simply complete.”

“The apparent sound that comes out of this monitor system is a remarkable clarity. It is musical and it just makes me smile every time I work on it.”

Fred Mollin – Musician / Producer / Composer

“I tried out a bunch of nearfields before choosing these studio monitors.”

“The BM15 just felt right to me. To my ears, they’re just very ‘honest’ – and that is why I liked them.”

Jason LaRocca – Producer / Engineer / Scoring Mixer (Lord of the Rings: Rings of Power, Fortnite, Cyberpunk 2077)

“Listen, I don’t have to fucking sell your fucking speakers.”

“You already sell them yourselves very well.”

Goldie – Producer / DJ

“The BM5’s just never left once they were in the studio.”

“The imaging is great! I can sense the space of the music extremely well, and that is essential for film music.”

Mark Isham – Composer

“[The] LYD is a very robust speaker and I just can’t believe how it can produce that massive sound without a sub.”

Michael Stein – Composer (Stranger Things)

“I made the vast mistake of opening up two of my old mixes. And I should not have done that…”

“It’s so revealing that I want to remix those tracks!”

Oliver McEwan – Bass Player / Musical Director / Songwriter / Arranger (Kylie Minogue, Rick Astley, X Factor DK)

“[The Dynaudio M4s] sound weird to people who aren’t used to them. They sound totally flat. No character.”

“You don’t want colour in your studio monitoring, because that’s going to affect the way you mix and produce everything.”

Tim Vine-Lott (Air Studios)

“I just know that if it sounds good on the Dynaudio BM15s, it’s going to sound good on my domestic speakers, on my headphones, all different types.”

“…if I play something through those, I immediately know what’s wrong with it or what’s good about it.”

Daniel Miller – Producer / DJ (Depeche Mode, Moby, Goldfrapp)

“The BM15As are very honest, they reproduce the nuances of the low end and let me easily hear the amount of tape compression that comes with using analogue.”

“The mid and high end is also very detailed and I can judge what I’m hearing very easily, even at low listening levels. They make hearing the tiny level adjustments needed to get just the right sound from the tape very straightforward.”

Roy Hendrickson – Mix Engineer (Paul McCartney, Frank Sinatra, Blondie)

“I have been through lots of monitors from lots of different companies, and although many manufacturers now make
really good compact speakers, for me nothing touched the BM 6A for size vs. performance.”

“I have them on some custom made stands which my acoustician recommended, and the combination is just fabulous.”

Matt Robertson – Producer & Composer (Björk, Prodigy, Ellie Goulding)

“Dynaudio M4s, built into the walls with acoustic treatment by Andy Munro who designed them…”

“They’re just the best full range monitors I’ve ever heard. The low end is tight and deep, the high end is clear and in no way tiring, and of course the mids and imaging perfect. Oh, and they’re amazing at any volume. I can’t praise the sound enough.”

Stephen Lipson – Producer (Paul McCartney, Jeff Beck, Sting, Annie Lennox, Hans Zimmer)

“I co-formed Dynaudio Acoustics in 1990 when I was building custom monitor systems using Dynaudio drive units.”

“I first heard of them at AIR studios in London where Dave Harries had built a speaker with them.”

“In my opinion they’re still the most natural sounding speakers, and we still build special systems for individual clients.”

Andy Munro (Munro Acoustics)

“The new studio with Dynaudio M5P mastering speakers is the most natural-sounding and accurate loudspeaker system/room I have constructed in 46 years of audiophile and professional life… the depth, impact, and transient response of this loudspeaker system is incomparable.”

“This is incredible. For the first time in decades of professional listening I finally can distinctly and clearly and obviously hear absolute polarity differences. I guess I had to wait till I had a completely phase-coherent system like these new Dynaudios.”

Bob Katz (Mastering Engineer & Grammy-award Winner)